I’ve never been the biggest fan of Joanna Newsom. I saw her live back around 2004 or so, when her first album came out, and I couldn’t get past the idea that this weird, harp-plucking music was probably meant for Renaissance Faires. She’s changed her approach a bit since then, and has gotten a lot more ambitious in the process, adding string arrangements by Van Dyke Parks and making some really long songs. And I applaud the efforts, but I also found myself throwing up my hands in disbelief when Have One On Me was basically at the top of every year-end list in 2010. It’s three discs of harp-pluckin’ folk. Who on earth has the patience for that? I spoke ill of the album a lot that year, probably inadvertently losing some friends in the process (probably not, but you never know, I was pretty unforgiving).
Here’s the thing though: It’s not a bad album. It’s actually a very good album. It’s just way too long. Three discs is excessive, and too much fluffy harp folk just turns my brain to mush. But there’s a lot of gems on the album, and if you cut out half the tracks, it goes from being an overstuffed album to one that flows perfectly, and without the strongest tracks losing any of their potency. So I trimmed it from 18 tracks to nine. It all fits on one CD, and on vinyl, it would make for two 30-ish minute LPs. Still a little long, but not two and a half hours. So let’s dive in and see how Have One on Me becomes Have JUST One on Me.
1. “In California”
It might seem counterintuitive for me, right after saying this album is too long, to start it off with a nine-minute song. But you sort of need a subtler, longer song to really let the listener know what they’re in for. This track reminds me more of Joni Mitchell, and it unfolds slowly, opening up with a pretty, meditative sound. It’s a good stage-setter, but one that doesn’t reveal too much too soon.
2. “Good Intentions Paving Company”
I almost made this the last song, since it’s the most fun and the one that sounds like a pop song. It’s like the encore! But it seemed more fitting to push it up higher on the tracklist, as if to say, “Hey, this album isn’t all quiet, introspective folk!” This is definitelly one of the best songs here, and you sort of need something to capture interest—mine at least—before it gets too ethereal.
3. “’81”
Following the catchiest song on the album with the shortest seems like the most logical course of action to me. Knock out the hits before getting to the more long-winded stuff. And this three-minute song is definitely one of the catchiest, so you probably wouldn’t want to bury it too deep.
4. “You and Me, Bess”
5. Have One On Me”
“Have One On Me” is the longest song here by a few minutes, and while I could trim a lot by excluding it, I do think it’s one of the more successful songs here. Paired with “You and Me, Bess” it’s a strong side B.
6. “Easy”
If this were a double LP, here’s where Side C would begin, with one of the strongest tracks on the entire album. Here, Joanna Newsom sounds more like Kate Bush than ever, with an elaborate arrangement featuring piano, strings and a rhythm section. It’s the right amount of drama to give the second act some momentum.
7. “Baby Birch”
Here’s another long one, but I love the build of it, as it grows from a lullaby into a much bigger song. After the bombast of the previous song, it’s good to have something that slows down a bit, but doesn’t entirely descend into soft balladry. There’s even some scratchy guitar at the end, which is a nice touch.
8. “Go Long”
It’s funny—”Go Long” is maybe the most Newsom-y song I’ve included. It’s harp mania! But it’s also goddamn beautiful. I think what makes it work is how intricate it is—and she doesn’t hold back on the musicianship. Weirdly enough, I think she tends to succeed when she goes more ornate and elaborate. And it’s a great penultimate track because it presents a strong juxtaposition to…
9. “Does Not Suffice”
… one of the most simple songs on the album. It’s a piano ballad in the tradition of Carole King (and inspired in part by gospel and R&B, and by the end, more Kate Bush—come to think of it, you can pretty much make this into a great Kate Bush album with the right moves), and it’s just a good melody. It doesn’t need much, and the soulfulness of it makes a proper end to a much shorter, but still massive album.
Anyway, I fully expect to hear people tell me I’m a philistine for chopping up this album. I don’t care. I like it much better this way.
1000 Times Jeff 
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